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University of Cambridge
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    Dr Miranda Griffin

    色色影院
    Huntingdon Road
    Cambridge
    CB3 0DF

    Fellow in Medieval French

    French

    Fellow

    When I arrived at New Hall as an undergraduate in 1990, I could not have dreamt of the wonderful opportunities my education here would give me. It is my great honour and privilege to participate in the College鈥檚 mission of inclusion and inspiration as a Fellow of 色色影院.

    Degrees &听 Honours: 听听 听

    MA (Cambridge), MPhil (Cambridge), PhD (Cambridge)

    Research Interests:听听 听

    Medieval French literature

    Biography:听听 听

    After a comprehensive education in Wiltshire, I came to Cambridge to study French and German at New Hall (now 色色影院), where I did my BA, MPhil in European Literature, and PhD on the Vulgate Cycle, a long thirteenth-century prose narrative about King Arthur, the knights of the Round Table, and the Holy Grail. I have taught in the universities of Cambridge (where, I鈥檝e been a Fellow of Corpus Christi, Girton, and St Catharine鈥檚 Colleges) and Oxford. My current research focuses on the representation of landscape in medieval French literature and manuscript culture. I am committed to widening participation in Higher Education.

    Publications:听听 听

    Books

    • The Futures of Medieval French Literature: Essays in Honour of Sarah Kay,, edited by Jane Gilbert and Miranda Griffin (Woodbridge: D.S. Brewer, 2021)
    • Transforming Tales: Rewriting Metamorphosis in Medieval French Literature (Oxford: Oxford University Press, 2015).
    • Knowing Poetry in France: From the Rose to the Rh茅toriqueurs, by Sarah Kay and Adrian Armstrong, with the participation of Rebecca Dixon, Miranda Griffin, Sylvia Huot, Francesca Nicholson and Finn Sinclair (Ithaca and London: Cornell University Press, 2011).
    • The Object and the Cause in the Vulgate Cycle, (Oxford: Legenda, 2005).

    Articles

    • 鈥楳茅lusine and Margaret: Hybrids and Monstrous Maternity鈥, in Corps hybrides aux fronti猫res de l'humain au Moyen 脗ge. Actes du colloque international de Louvain-la-Neuve (19-20 avril 2018), ed. A. Sciancalepore (Louvain-la-Neuve, Publications de l鈥橧nstitut d'茅tudes m茅di茅vales, 2020), pp. 63-82
    • 鈥極n the Trail of the Sibyl鈥檚 Mountain: Antoine de la Sale鈥檚 Le Paradis de la reine Sibylle鈥, in Category Crossings: Bruno Latour and Medieval Modes of Existence, ed. Marilynn Desmond and Noah Guynn, special issue of Romanic Review, 111.1 (May 2020), 8-26.
    • 鈥楩igures in the Landscape: Encounters and Entanglements in the Medieval Wilderness鈥, Journal for Medieval and Early Modern Studies, 49.3 (September 2019), 501鈥520.
    • 鈥楩ortune鈥檚 Touch: Reading Transformation in Christine de Pizan鈥檚 Mutacion de Fortune鈥, in Ovidian Transversions: 鈥淚phis and Ianthe,鈥 1300-1650, ed. Patricia Badir, Peggy McCracken and Valerie Traub (Edinburgh: Edinburgh University Press, 2019, 99-117.
    • 鈥樷淯nusual greenness鈥: Approaching Medievalist Ecomaterialism鈥, Exemplaria, 30.2 (April 2018), 172-181.
    • 鈥業magining Ovid and Chr茅tien in Fourteenth-Century French Libraries鈥, French Studies 70 (2016) (Special Issue: The Medieval Library), 201-215.
    • 鈥楾he Time of the Translator in the Ovide moralis茅,鈥 Florilegium 31 (2014), 31-53 (published in 2016).
    • 鈥楾ranslation and Transformation in the Ovide moralis茅鈥, in Rethinking Medieval Translation, edited by Emma Campbell and Robert Mills (Woodbridge: Boydell and Brewer, 2012).
    • 鈥樎 Dont me revient ceste parole ? 禄 Echo, voice and citation in Le Lai de Narcisse and Cristal et Clarie鈥 Cahiers de Recherches M茅di茅vales et Humanistes, 22 (2012).
    • 听鈥楾he Space of Transformation: Merlin Between Two Deaths鈥, Medium Aevum, 80 (2011), 85-103.
    • 鈥楢nimal Origins in Perceforest鈥, Cahiers de Recherches M茅di茅vales et Humanistes, 21 (2011) 169-84.
    • 鈥楾he Grail鈥 in The Cambridge History of French Literature, edited by William Burgwinkle, Nicholas Hammond and Emma Wilson (Cambridge: Cambridge University Press, 2011), pp. 76-83.
    • 鈥楾he Beastly and the Courtly in Medieval Tales of Transformation鈥, in The Beautiful and the Monstrous, ed. Amaleena Daml茅 and Aur茅lie L鈥橦ostis (Oxford, Bern: Peter Lang, 2010), pp. 139-50.
    • 鈥楾ransforming Fortune: Reading and Chance in Christine de Pizan鈥檚 Mutacion de Fortune and Chemin de long estude鈥, Modern Language Review, 104 (2009) 55-70.
    • 鈥榃riting Out the Sin: Charlemagne, Arthur and the Spectre of Incest鈥, Neophilologus, 88 (2004), 499-519.
    • 鈥楾oo Many Women: Reading Freud, Derrida and Lancelot鈥 in Troubled Vision: Gender, Sexuality and Sight in Medieval Text and Image, ed. Emma Campbell and Robert Mills (New York: Palgrave Macmillan, 2004), 207-20.
    • 鈥楧irty Stories: Abjection in the Fabliaux鈥, New Medieval Literatures, 3 (2000), 229-60.
    • 鈥楪ender and Authority in the Medieval French Lai鈥, Forum for Modern Language Studies, 35 (1999), 42-56.

    Translations

    • Translation of excerpt of the Ovide moralis茅, in collaboration with Blake Gutt and Peggy McCracken, to appear in Ovidian Transversions: 鈥淚phis and Ianthe,鈥 1300-1650, ed. Patricia Badir, Peggy McCracken and Valerie Traub (Edinburgh: Edinburgh University Press, 2019, 279-86.
    • Translation of excerpt of Christine de Pizan, La Mutacion de Fortune, to appear in Ovidian Transversions: 鈥淚phis and Ianthe,鈥 1300-1650, edited by Patricia Badir, Peggy McCracken and Valerie Traub, ed. Patricia Badir, Peggy McCracken and Valerie Traub (Edinburgh: Edinburgh University Press, 2019, 288-89.